Wednesday, 30 July 2014

Auteur's library



Jane Austen

Sense and Sensibility

1811





Pride and Prejudice 

1813

Emma

1815







Northanger Abbey

1818

Well-written, sophisticate, are all novels of Jane Austen. But Northanger was one of my favourites because it never failed to surprise me. The book is small and feels at time rushed, at times slow, as if it had been written quickly, but planned carefully. Gradually, Northanger goes beyond its focus on melodramatic Gothic fiction and keenly observes the fictious in the real, the falsity of its heroine's social net. As Catherine goes from fiction to fictious, the reader is caught into the ferventness of the intrigue, not knowing what it actually is until late in the book, but reading ardently_ like Catherine devours her Mystery of Udolpho. Nothing in particular happens, as, Austen points out, nothing does in social life. Yet in that nothing, everything is: the envy, the pursuits, the love, the lies, the little somethings and the big nothings that make up Austen's enclosed, almost stuffy, scene.

Tags: ladies & gents' courtship dance, close quarters, gothic interest, 19th-century society, roman de mœurs, gender relations, famille & land 


Persuasion

1818

This is one of Austen’s more ‘tamed’ work. The book offers a study of the dilemma between reasonability and influenceability, and ends up, like all Austen, praising nuance. The heroine is restrained in her emotions, with an acute awareness of social do’s and don’ts, to the point of making you yell at her in despair. You’ll understand it, this is a story in which you can’t help but invest. With a cast of characters to die for, from the comic relief to the ‘grip-your-own-hair’ type (that’d be the heroine), the book offers a nice balance of wisdom, stock characters, social observation, suspense, indignation, comedy, and annoyance. This is a complete work, more well-rounded in its study than Northanger, if perhaps less witty. The characters are attaching, they feel real and simple, closer to a 21st-century audience than Austen’s other works.
 

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